Card Corner: 1972 Topps, Beltin’ Bill Melton

The consummate slugger, Bill Melton hit 33 home runs for the White Sox in 1971, putting him in the American League lead, just ahead of Norm Cash and Reggie Jackson. Yet his 1972 Topps card shows him trying to check his swing in a game against the Yankees. Judging by the position of his hands and the bat, Melton was unsuccessful in checking the swing, so it would appear that this pitch resulted in a swinging strike. That was not a typical event for Melton in 1971, given that he struck out only 87 times, a low total for a pure slugger.


Back in the late ’60s and early ’70s, checked swings were treated much differently than in today’s game, where catchers commonly ask for help from the first base or third base umpire whenever the batter so much as wiggles his bat. That was not the case in Melton’s time. Catchers and home plate umpires rarely called down the bases for help, even when the batter seemed to put a healthy half-swing on the ball. Only very occasionally would the home plate umpire give up his jurisdiction to either the first base or third base umpire on disputed swings. It was just another way that the game was significantly different back then.

Melton’s 1972 Topps card also shows us the White Sox’ memorable uniforms from the early 1970s: the bluish gray road colors augmented by the red trim. And then there are those incredibly huge numbers on the backs of their jerseys. Those numbers were an announcer’s dream; they could seemingly be spotted a half a mile away with the naked eye. The Sox’ numbers might have been the largest in history, with the possible exception of the Phillies’ old uniform numbers from the 1960s. Whether the White Sox or the Phillies, they’re so big that they seem out of place, but they sure did do the trick in being easily visible to broadcasters, writers and fans.

As on many 1972 action cards, we see another player present on Melton’s card. The opposition is provided by the Yankees, the site is Yankee Stadium (where so much of Topps’ photography took place), and the catcher is none other than Thurman Munson (as evidenced by the telltale red chest protector). For awhile there, Munson led the league when it came to making guest appearances on other players’ cards. After all, Munson was a workhorse catcher; if the photograph involved the batter or runner near home plate, the odds were strong that the Yankees captain would make a cameo.

All of the above material is pertinent to the story of the card, but most of it ignores the primary subject matter of the card, Bill Melton himself. At the time of the card’s release, Melton was one of the game’s premier power hitters. Fresh off his home run crown, he and the newly acquired Dick Allen were expected to anchor the middle of the lineup for Chicago. So let’s look at how Melton reached this stage of his career.

Melton was one of the last vestiges of a bygone era. He signed with the White Sox as a free agent in 1964, the last year before baseball went to an amateur draft. In other words, Melton could consider other offers before signing with the White Sox.

Based on his first two minor league seasons, the White Sox might have wished that Melton had signed elsewhere. He showed little power playing as a second baseman (of all positions) in rookie ball in 1964, and then struggled to hit for either average or power as an outfielder in 1965. He did not begin to establish himself until 1966, when he was assigned to Fox Cities of the Midwest League. He hit .284 with 12 home runs, offering the White Sox a glimpse at his power potential.

Receiving a promotion to the Double-A Southern League, Melton reverted to his earlier struggles. He hit .251 with nine home runs in a full season, while making a shaky transition to third base, where he committed 29 errors. Based on the pure numbers, Melton seemed like far less than a top prospect. “When I was in the minors,” Melton later admitted to sportswriter Jerome Holtzman, “I was so bad in so many things I never thought I’d make it.”

Perhaps to his own surprise, the White Sox promoted Melton to Triple-A Hawaii in 1968. He started the season there before receiving a promotion in late May to Chicago. He appeared in 17 games with the White Sox and didn’t hit much before being loaned to the Yankees organization, which resulted in him playing a half-season at Syracuse. Between the two minor league stops in Hawaii and Syracuse, Melton played well, reaching base 34 per cent of the time while hitting 15 home runs. He also showed improvement defensively, especially during his stint in Syracuse, where he committed only two errors in 32 games.

Melton’s performance in Syracuse convinced the White Sox to bring him back to Chicago in September. He hit much better in his second Chicago stint, lifting his season OPS to a more respectable .717.

The Sox saw enough from Melton to make him their starting third baseman over journeyman Pete Ward, who had hit 15 home runs but batted only .215 in 1968. Melton would easily surpass those numbers in 1969. Playing 157 games, Melton hit 23 home runs, far more than he had ever hit in any minor league campaign. He drew a respectable 56 walks and compiled an OPS of .759, which was certainly passable for the era. Though he continued to grapple with his fielding, Melton convinced the White Sox that they had found their third baseman of the present and future.

At 6-foot-2 and 200 pounds, Melton was built like a block of granite. His physique prevented him from becoming a smooth fielder, but it allowed him to hit with jaw-breaking power. Enormously strong, Melton often muscled balls over the wall, with his power running from left-center to right-center field.

Melton also impressed his teammates with his approach to the game. “You had a serious one in Bill Melton,” former White Sox catcher Ed Herrmann told me in 2011. “He was very serious, took the game very seriously.”

Given his passion for the game, the 1970 season would test Melton. The season began precariously, as Melton committed 12 errors in his first 24 games. The newly installed artificial turf at Comiskey Park had Melton vexed. “That rug has got me psyched [out],“ Melton told The Sporting News. “I just can’t handle it. Those balls just whiz by.”

The last of those 12 errors, however, had nothing to do with the turf, or Comiskey Park. On a relatively routine pop-up at Baltimore‘s Memorial Stadium, he lost the ball in the lights at the last moment. The ball caromed off the heel of his glove and into his face, breaking his nose. Melton was knocked unconscious for a minute or two before being taken off the field on a stretcher. “There was blood coming out of both nostrils,” Orioles first baseman Boog Powell told Jerome Holtzman, “and it was coming out of his mouth, too.”

The injury forced Melton to the sidelines. When he returned to the lineup, he found himself in a new position: right field. Perhaps bothered by the switch, he endured a tough stretch, as he struck out in 11 consecutive at-bats over the course of four games.

A Hardball Times Update
Goodbye for now.

The season could have devolved into disaster, but Melton rebounded. A new manager, Chuck Tanner, came aboard in midseason and eventually moved Melton back to third base. After a tough July, he hit 15 home runs in August and September to finish the season with 33. That figure was sixth best in the American League that summer, but represented a single-season franchise record for the White Sox.

Melton’s home run capabilities, along with his last name, put him in position to receive a nifty nickname. It was a relatively simple one, but it became an easy and fun way for White Sox fans to refer to him. If you liked alliteration, you could have called him “Beltin’ Bill,” but if you preferred a rhyme, you could have gone with “Beltin’ Melton.” Either way, Melton was developing a bit of a cult following in Chicago.

That following would only grow in 1971. The White Sox moved Melton back to third, the position he preferred. For the first time, he made the All-Star team. The young right-handed slugger put up his best season. He hit .269, reached base 35 per cent of the time, and drew 61 walks, all career highs to date. More significantly, he slugged .492, particularly impressive for a pitcher’s park like Comiskey. Melton became so important to the White Sox that for the first time in his career he received small consideration for the MVP, placing 13th in the sweepstakes.

Melton also engaged in an inspiring home run battle with Detroit’s Cash and Oakland’s Jackson, two players with more established reputations. Entering the final day of the season, the three men found themselves in a tie, each with 32 home runs. Melton eliminated any possibility of a shared home crown. Tanner made him the leadoff batter to maximize his number of at-bats. In his second turn at bat, Melton found a fastball from Milwaukee’s Bill Parsons to his liking, launching it into the left field stands. The last-day home run gave him the crown and tied the single-season franchise record he had set just one year earlier.

Unfortunately, only two months later, Melton became involved in a frightening incident. He fell from the top of an eight-foot ladder while putting shingles on his patio roof. “My four-year-old son, Billy, was on the roof, and I went up to get to him,” Melton explained to The Sporting News. “I reached out to grab him and at that instant I sneezed. I lost my balance and I couldn’t grab on to anything because I was holding Billy. I fell right on my tailbone.”

Young Billy was fine, but the older Melton was not. He ruptured two discs in his back. As the 1972 season progressed, the discs cut into his sciatic nerve, causing great pain. The condition hurt his home run stroke and ultimately shortened his season, forcing him to miss more than 100 games. He finished with seven home runs.

With a healthy Melton supporting American League MVP Dick Allen, perhaps the Sox would have given the A’s an even stronger run for the AL West title. As it was, the Sox finished only five and a half games behind the eventual world champions.

Back problems often become chronic, and they did for Melton. Back pain and stiffness followed him for the rest of his career, preventing him from ever again topping 21 home runs.

Before the onset of back problems, Melton had become an extraordinarily popular player in Chicago. He also gained enough recognition nationally to make the cover of Sports Illustrated in March of 1973. He bounced back that summer, hitting 20 home runs with 75 walks.

When the back problems badly affected his play in 1974, in particular his defense at third base, he started to become the target of Chicago fans and media. The offseason acquisition of Ron Santo had created a third base logjam and an especially awkward situation for Melton when the Sox moved Santo to second base. Some Chicago fans felt that Santo should play third, with Melton slotted to DH.

Melton especially drew the ire of White Sox broadcaster Harry Caray, who often railed against Beltin’ Bill for his fielding problems. For all the accusations leveled at Caray for being a homer, he could be exceedingly critical of struggling players on the home team. In some cases, as with Melton, it became a Caray obsession, to the point where it wounded the veteran third baseman.

The situation worsened in 1975. Fans at Comiskey Park booed his children during a father-son day at the ballpark. Caray continued to rail against him. Melton called an informal press conference, in which he ripped into Caray for his continued on-air tirades. Caray pointed to Melton’s sinking batting average and his fielding troubles. Later on, Caray would describe Melton as having the “heart of a canary.”

By the end of the 1975 season, Melton’s average fell to .240 and his home run output dropped to 15. Although he was still only 29, the Sox were so concerned about his diminishing power and persistent backaches that they decided to part ways with the best home run hitter in franchise history. That winter, they sent Melton and onetime pitching phenom Stunning Steve Dunning to the California Angels for veteran first baseman Jim Spencer and speedy outfielder Morris Nettles.

With the Angels, Melton’s physical appearance changed considerably. With his straight hair permed, and with a mustache now in place, Melton looked much different. The change of appearance and change of scenery, though, did little to aid Melton. Becoming a combination DH/first baseman/third baseman on a team that was hardly rife with talent, Melton failed to beat out Tony Solaita at first, Ron Jackson at third or an aging Tommy Davis at DH. The Angels needed power, but Melton couldn’t supply it; he hit only six home runs in 341 at-bats and batted an embarrassing .208. His OPS fellow to a career-low .628.

To make matters worse, Melton clashed with a new manager in Dick Williams, whose dictatorial style rubbed the veteran infielder the wrong way. Other Angels players joined Melton in rebellion. “We constantly defied him,“ Melton told the Associated Press in describing the waning days of Williams’ regime in California. “We’d break every rule we could. There were 25 guys wanting to kill him. I guess they just had enough.”

The bad relationship between Melton and Williams culminated in a nasty shouting match on the team bus. As it turned out, neither man would last long in Southern California. Williams was fired in midseason. Melton would depart that winter. With Melton’s trade value at a career low, the Angels could pry only journeyman right-hander Stan Perzanowski in a deal with the Indians.

Melton settled for backup duty in Cleveland, which featured good players at the three pertinent positions: Andre Thornton at first base, Buddy Bell at third base and Rico Carty at DH. Playing strictly in a utility role, Melton hit a mere .241 and failed to hit a single home run in 133 at-bats. He did not play at all in September.

At the end of the season, Melton became a free agent. When no one came calling, the 31-year-old Melton called it a career.

Melton left the game for awhile, working with his father in the manufacturing of skateboard wheels before eventually becoming a real estate agent in California. In the 1990s, he returned to baseball, joining the marketing department of the White Sox. From there he made a transition to the broadcast booth, working with WGN. Since 2005, Melton has worked as an analyst on Sox broadcasts for Comcast Sportsnet Chicago.

Although Melton’s career was short-circuited by his back problems, he has found longevity in the broadcast booth. He has overcome his battles with legends like Williams and Caray, and has discovered a means to stay in the game while also enjoying a rebirth in Chicago. Like so many who played in the era of 1972 Topps, he has found a way to survive.

Bruce Markusen has authored seven baseball books, including biographies of Roberto Clemente, Orlando Cepeda and Ted Williams, and A Baseball Dynasty: Charlie Finley’s Swingin’ A’s, which was awarded SABR's Seymour Medal.
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Bruce Markusen
9 years ago

Scott, I think it had to do with playing time. If a team was doubled up at a position, they wanted to make sure to get everybody playing time, so the loan agreements were often used. There was more trust between teams back then, so the system worked pretty well.

In today’s game, I think teams are paranoid about their prospects being “abused” by other teams if they are loaned out. There just isn’t the same level of trust.

Dave S
9 years ago

It does look like a check swing judging by the position of Melton’s arms.. left elbow high.

But looking at the catcher, I’m guessing Melton made some contact.  There is no way the catcher has the ball in his glove.  The glove is pointing at the ground, with the back of the glove facing the field.

9 years ago

I can remember listening to Ernie Harwell doing a broadcast one steamy August afternoon when the Tigers were playing the White Sox. He said to Ray Lane his partner in the radio booth ….“its really hot on the field today Ray, look down there the third baseman is Melton”

9 years ago

Why did teams used to loan players to other organizations?  I guess looking at today’s franchises methodically promoting prospects from one level to the next it seems counter-productive.  A short history of the who’s and why’s of loaning would be an interesting article.

Boy that was horrible luck, injuring himself like that just as he was establishing his reputation.
It’s amazing just how many players back then seem to have had their careers short-circuited by a freak accident.

Jeff S.
9 years ago


Loving this look back at 1972 Toppps.

However, as a Yankees and particulary Munson afficinado- I disagree with your assessment that Thurman is the Yankee catcher in the picture.

The Yankees and White Sox had a 3 game series in 1971 at Yankee Stadium, April 26-28. Monday, April 27 and Wednesday, April 28 appear to be rainouts, later rescheduled for doubleheaders in July. Sunday, July 18th, a day doubleheader was scheduled and Monday, July 19th was a twilight doubleheader, as was common in those days.

In the Monday, July 19th DH, Thurman started and played the full both games as the catcher. The games started at 5:07p.

On Sunday, July 18th, however, Thurman only played the first game of the DH, which started at 1:07p and Jake Gibbs started the second game at catcher, which started at 3:42p.

“Beltin Bill” struck out 3 times in the second game of the DH that day against Mike Kekich, who went all 9 innings for the 6-1 victory against the Pale Hose.

I believe the catcher in the photo is Gibbs. Munson did use the reddish chest protector, but also used the yellow padding on the facemask, the padding in the catcher facemask in the picture is black.

Also, Thurman had just a different looking hairstyle that is recognizible, even back in 1972, it was more bushy than the catcher in the picture. Gibbs had much more neater hair, just like the catcher in the picture.

Want more proof, look at Munson’s 1972 In Action card- look at the facemask padding- it is yellow.

Also, from my memory, the yellow/beige color is what Thurman used on his facemasks for most of his career.

What do you think? Gibbs is the catcher here?

Bruce Markusen
9 years ago

Jeff, you may be right. Did Gibbs Typically wear the red chest protector, like Munson did?

dennis Bedard
9 years ago

Great article.  Brings back memories.  I believe Comiskey Park was the only one with a combination real grass and turf.  The outfield was real.  I do not know why they did it that way.

dennis Bedard
9 years ago

Definitely Gibbs.  I the hair angle gives it away.  I looked at about 10 pictures of Munson circa early 70’s and his hair color is brown and sideburns were always long.  Gibbs always had black, short hair with well trimmed sideburns.  The color alone in the picture gives it away.  Another oddity about the picture.  Melton appears to be checking up on a high pitch but look at where Gibbs’ glove is positioned.  I think this might have been a foul ball.  In that game, it is true that Melton struck out 3 times but he was also hit by a pitch.  On a humorous note about Gibbs, Jim Bouton claims to have been with him once in the 60’s when he ordered “pie a la mode with ice cream” at a local eatery.  But then again, coming from Bouton, who knows.

9 years ago

Wonderful story … and holy cow, Jeff, that’s some good detective work.

A big fan of that garish ‘72 Topps set.

dennis Bedard
9 years ago

Sorry.  I was careless in reviewing the line items.  Melton went 0-3 in the first game and was hbp by Fritz Peterson (another player who deserves a post and gave the word “swinger” a very un baseball meaning).  When I reviewed it very quickly, I mistakenly saw the A-3 and thought it was K’s.

9 years ago

    I had the great pleasure of being at that double header.  The first game was won by the Yanks with an exciting 9th inning rally, as Wilbur Wood gave up 3 in the 9th.  In the second game Mike Kekich pitched a one hitter, with Gibbs catching.  But in the card, you don’t see any kids holding bats, which were given out as you came in (ah, the good old days!.  Gibbs also caught the Saturday 7/17 game, a Yankee win, that might be the day it was taken.

Also, you might be a little harsh in your description of Pete Ward as a journeyman.  Ward was a solid player, who had back injuries that curtailed his career.  He almost had a SI cover, but it wasn’t printed, as Clay’s KO over Liston became bigger news that week, he got bumped.

Bruce Markusen
9 years ago

Charles, I don’t view “journeyman” as an insult. To be a journeyman, you actually have to have lasted a few years in the major leagues while playing for several teams. I don’t consider a journeyman a bit player or a “cup of coffee” player. So it’s really not meant to be derogatory.

I did not know about the SI cover, interesting.

Marc Schneider
9 years ago

Harry Caray was a bit of a jerk apparently.  In his book, Curt Flood talks about how Caray would get on Cardinal players for not performing in clutch situations, often unrealistically.  But that’s sort of the definition of a homer-he roots for the team and gets pissed when the players don’t perform.

Jeff S.
9 years ago

The game in question, which I believe this photo was taken is July 18th, 1971. Second game of a Sunday DH at Yankee Stadium, the only game that Gibbs caught against the White Sox that year at the old Yankee Stadium- and it was a day game start time, as the photo shows the picture taken in daylight.

Here is the boxscore- Melton did strike out three times, but was not hit by a pitch. The picture shows a guy obviously fooled by a pitch, probably a curve.

Mashing Melton recoverd enough to go 4-5 his next game, so one bad day did not linger too long.

Bruce, I have scoured the internet- and cannot find one picture of Gibbs in his Yankee catching gear or the red chest protector. Perhaps a good newspaper archive will have something- but I can’t find it with my research. (but I can also say that I have not seen a picture of Munson with anything but a yellow padded facemask)

Unless Munson had a second facemask with black padding, I think it is Gibbs catching. And, of course, the hair style looks a bit more neat, as Gibbs had then.

Sorry White Sox fans to get diverted in a Munson discussion- the article Bruce wrote about the Southside Masher was pretty darn good! (As usual)